Tag: cesare maldini

Ciao Vecio: Italy Mourns the End of an Era

In Italy they call him “il Vecio”, the old man. But in 1982 Italy coach Enzo Bearzot was a tanned, lithe 54-year-old in the prime of middle-age, a newly-crowned world champion who had led his team to the most unlikeliest of achievements. The nickname (from his native friulano) never had much to do with age but rather a unique Italian personality. Cool, educated and deeply spiritual, Bearzot was an icon of the Italian game who in some ways seemed to belong to another time. An avid fan of music and literature, before the World Cup celebrations had even subdued he’d already hopped a flight to New York to hit some jazz clubs. As a football coach he was incredibly self-confident but never arrogant, instilling in his teams “la forza del gruppo” or group strength, a model on which all top sides are today built. Though he made occasional contributions to La Gazzetta dello Sport, in the final months before his death in Milan yesterday Bearzot only left the house to attend mass or buy the newspaper. Il Vecio had finally become an old man.

Coincidentally, Bearzot died on December 21 just as Vittorio Pozzo — who masterminded Italy’s first two World Cup wins in 1934 and 1938 — had forty-two years ago. Yet nothing about Bearzot’s unremarkable playing days hinted at the success that awaited him as a World Cup-winning coach. Born in Aiello del Friuli in 1927, Bearzot enjoyed a modest footballing career with Inter, Catania and Torino. His role was that of defensive midfielder, known in Italy as mediano, an unfashionable position generally reserved for those blessed with a strong willingness and work ethic rather than any particular flair or natural skill. Over the course of eighteen years he earned just one appearance for the national team, in 1955 against Hungary in Budapest. Italy lost the match, but the Italian marked the legendary Ferenc Puskas out of the game.

After “una vita da mediano” he quit the game in 1964 and immediately went into coaching, beginning as an assistant at Torino before taking over at third division Tuscan side Prato. Prato’s ninth place finish in Serie C Girone B at the end of 1968-69 season would be his last involvement with club football. Instead Bearzot fell into the fold of the national team, with which he embarked upon a seventeen-year odyssey that saw him rise to a role of true protagonist in a period marked by various disappointments and one unforgettable accomplishment.

Bearzot coached Italy’s under-23 side for six years before being brought in to assist existing national team coach Fulvio Bernardini in 1975. Essentially it was Bernardini who remained as Bearzot’s assistant until 1977, when the Friulan unabashedly took sole control with a World Cup less than a year away. Some accused him of weaving a takeover plot behind Bernardini’s back, and skeptics continued to cite a lack of experience as Italy prepared for the 1978 World Cup in Argentina. Bearzot’s slim CV did not seem to overly concern him: “You don’t need a degree in cibernetics to coach the national team,” he once retorted. Though he’d never coached in Serie A, he was already a veteran of two World Cups, having travelled as assistant coach to Ferruccio Valcareggi to Mexico in 1970 and West Germany in 1974.

Criticism rarely bothered Bearzot. At Rome’s Stadio Olimpico, during Italy’s final friendly match before the 1978 World Cup, he had endured chants of “Sce-mo! Sce-mo!” (Stupid! Stupid!) directed at him by the few thousand fans who’d shown up to support a sterile national team. But though he claimed to give little weight to popular opinion, Bearzot’s inclusion of the youngsters Antonio Cabrini and Paolo Rossi in his 22-man squad suggested the coach had finally succumbed to outside pressure (a theory he always denied). Surprisingly, on the pitch it mattered little. In Argentina an attractive Italy side beat France and the hosts before eventually losing in a third-place play-off, a fourth-place finish they equalled two years later at the European Championships held in Italy. Despite the usual reservations, Italy produced arguably the best football of both tournaments. The 1982 World Cup was still two years away, but the groundwork for that remarkable victory had been laid.

bearzot tardelli

Though Italy’s win in Spain came as a beautiful surprise to most, Bearzot exuded a calm confidence from the outset. “I believe in the spirit I’ve infused in my group of players,” he said, a month before the tournament started. “I’m convinced we might struggle against Poland, Peru and even Cameroon, but we’ll do much better in the next round. In the end my winning mentality will triumph.” However prophetic this statement would prove, to his closest confidants the coach confessed to feeling like Gary Cooper in High Noon: a lonely man with the entire world against him. Not even he anticipated just to what extent Italy would struggle during the group phase, managing only to grind out three uninspiring draws.

Not for the first time, Bearzot’s selection process had raised eyebrows. A preference for Paolo Rossi was primary cause for concern. The striker had shone in Argentina four years earlier but had missed the last two years following a ban from football for his alleged involvement in a betting scandal. Meanwhile Serie A’s top scorer for the last two seasons, Roma’s Roberto Pruzzo, had failed to even make the squad. On such matters il Vecio was typically of one mind. “Gossip, rumour, Italian chitter-chatter,” he said, dismissing accusations. “I don’t chit-chat — that’s what makes me different from other Italians.” Tension with the Italian media had reached an all-time high, resulting in Bearzot’s enforcement of an infamous silenzio stampa which vetoed all outside communication. Many still point to this unprecedented act as the turning point in Italy’s campaign, as it allowed the players to train in peace and focus on their path to glory.

In the second group phase Bearzot’s decisions were quickly forgotten as a revitalized Italy disposed first of holders Argentina, and then tournament favourites Brazil in a match which many still rank as the greatest ever. Stopper Claudio Gentile was praised for effectively marking (by any means possible) Maradona and Zico out of both games. Paolo Rossi scored a hat-trick against Brazil and two more goals in the next match as Italy brushed aside Poland in the semi-final. Suddenly, Italy were in the World Cup final against a bulky but tired West Germany, and by the time his team took to the field in Madrid’s Estadio Santiago Bernabeu Bearzot’s confidence in himself and his players had peaked. Not even Cabrini’s first-half penalty miss could veer the ship off its course.

What followed on the evening of July 11th 1982, has entered into Italian footballing folklore, and the sights and sounds of that night in Madrid are etched upon the country’s national consciousness. Marco Tardelli’s crazed sprint following his team’s second goal (to this day referred to in Italy simply as “l’urlo”), President Sandro Pertini (who many observers called Italy’s political answer to Bearzot) waving his arms in the stands, RAI commentator Nando Martellini’s triple cry of “Campioni del mondo! Campioni del mondo! Campioni del mondo!” at the final whistle, the famously documented game of cards on the plane home. After netting his sixth goal of the tournament in the final, Rossi finished the competition as winner of the Golden Boot. “I am what I am because of him,” he said today of Bearzot. “He was like a father to me.”

When the final whistle blew in the Bernabeu, Bearzot turned to his assistant coach Cesare Maldini and yelled, “I’m never leaving the Italy bench! I’m never leaving it!” After such a long and strained rapport with both press and public, the temptation for many would have been to bow out as world champion and national hero. But Bearzot had forged a rare and oddly personal bond with his country’s national team, to which he always remained connected and associated more than to any club. Despite the tournament’s happy ending he refused to forgive his detractors, who now invited the victorious coach to speak at the post-match press conference. “Don’t you have any more questions for me?” was his response. Of course, leave his position as coach he eventually did, four years later after the World Cup in Mexico, where a lethargic-looking Italy’s lacklustre defence of their title saw them topple to European Champions France in the last sixteen. This time Bearzot had relied too heavily upon the players who’d excelled in Spain, and a cycle which had begun eleven years and 104 games earlier, had finally come to its inevitable conclusion.

* * *

Such tenure at the helm of one of toughest jobs in soccer would appear unthinkable in today’s footballing climate of instant gratification and knee-jerk reactions. Instead it took Bearzot seven years to win over press and fans, and then only after having claimed the sport’s ultimate prize, after a forty-four-year wait. It was a victory for a team which spanned generations. For forty-year-old captain Dino Zoff the World Cup put the seal on a terrific career. Zoff had made his Serie A debut before the teenage Giuseppe Bergomi was even born; the Inter defender only retired in 1999. The success helped galvanize a nation that was still reeling from the anni del piombo, a bleak and tumultuous period in Italian history characterized by social turmoil, political corruption and violent acts of terrorism. For once the Italian people were united in a wholly positive way, and the country entered a period of fresh hope and economic prosperity which continued for most of the rest of the century.

The performance in Spain dispelled many attitudes towards the Italian game, reversing a trend for defensive catenaccio-based tactics which had prevailed since the sixties. Few goals in World Cup finals involve two defenders exchanging passes in the opposition’s penalty box, but Bergomi and Gaetano Scirea did exactly that before laying the ball out to Tardelli to drive home perhaps the most memorable goal in Italy’s World Cup history. By the mid-1980s Italy had become football’s spiritual home thanks in large part to a sudden influx of new money and world talent, a period for which the 1990 World Cup held in Italy was an apex. Only around the turn of the millennium did this view of Italian football shift back again, as the game in Italy began to be viewed with less praise than scorn. By the time the Azzurri conquered the world again in 2006, the bubble that started with Bearzot had burst.

Parallels between Italy’s World Cup feats of 2006 and 1982 are obvious. Both were born out of the rubble of domestic scandal, while both coaches relied on a collective group strength rather than the talents of any one individual. Sadly, there were also similarities in the way both titles were relinquished: just as Bearzot’s aging World Champions had appeared sluggish at Mexico ’86, Lippi’s heroes of Berlin failed to ignite South Africa in 2010. But there the comparisons end. The Italian public never warmed to Lippi or his winning team as they had for Bearzot’s Italy twenty-four years earlier. The rakish, fresh-faced calciatori who beat the world’s very best in 1982 seem like a different species to 2006’s squad of professional athletes, with their shaven heads and tattooed torsos, who combated their way to an intense shoot-out victory. Despite the more recent title, Italians still recall 1982 with fondness, but not simply out of nostalgia. They consider the success more real, more human, more Italian. There were no fireworks at the Bernabeu in 1982, no novelty hats, no headbutts: just emotional embraces and azzurro blue jerseys soaked through with sweat and spumante.

Not long after I moved to Florence I got to know Dott. Fino Fini, Director of the Museo del Calcio at Coverciano (the Italian Federation’s training headquarters). Dott. Fini had been the Italian national team doctor from 1962 to 1982, and the museum was packed with memorabilia from that fertile period. The blue shirts of each player from Bearzot’s winning team were hung in hinged glass frames which swung to reveal the shirt numbers on the other side: 14 Tardelli, 16 Conti, 20 Rossi. In another frame was Bearzot’s entire outfit from that jubilant night in Madrid: grey trousers, blue shirt, navy tie, and the famous blazer, complete with embroidered ITALIA crest. It had always appeared plain white to me on TV, giving its wearer the air of a medical professional, a mediterranean doctor of soccer, but on closer inspection the jacket was made up of narrow navy pinstripes, almost like seersucker. It was a strange feeling to see something in the flesh I’d seen on television a hundred times, like seeing a costume or prop from a favourite movie. Also on display was Bearzot’s trademark pipe, without which he was rarely photographed. “If there was no smoke emanating, that’s when you knew he was a little ticked off,” said Giancarlo Antognoni, who missed out on the 1982 final through injury. Bearzot’s World Cup winners were all quick to recall the human side of il Vecio. “I’d like to remember him sitting on a wall,” said Tardelli. “Smoking his pipe, alone.”

In his later years, Bearzot had become disillusioned with all aspects of the modern game. “I haven’t been to the stadium in a long time,” he revealed a few months before his death. “The stands have become a platform for shouters to hurl the most ferocious insults.” He didn’t much enjoy watching football at home either. “The TV is less likely to make me angry when it’s switched off,” he quipped. His principal complaint arose from a perceived lack of respect among those involved. “It irritates me when former referees insult referees, or when coaches insult other coaches. I’ll never understand those who insult their colleagues.” But Bearzot also expressed concerns over the business of the sport. Speaking of his decision to retire, il Vecio explained, “It appears that money has moved the goalposts. It seems football has become a science, though not an exact one. For me it will always be a game.” Bearzot’s death signals the loss of one of international football’s legendary figures. But perhaps more significantly, it also comes with the undeniable realisation that the game he spoke of is well and truly over.

Enzo Bearzot, 1927-2010

San Siro Send-Off Turns Sour for Capitano Maldini

It was a sunny afternoon in Milan last Sunday as Paolo Maldini led his team out onto the San Siro turf for the final time. The Milan captain was greeted by the fervent roar of home support from a crowd of over 70,000 that had gathered to cheer their hero one last time and to honor an extraordinary career. Each fan waved aloft a special scarf commemorating the occasion, and even the players of Roma, Milan’s opponents for the day, wore GRAZIE PAOLO t-shirts over their playing jerseys as they took to the field.

As the teams lined up, an emotional Maldini saluted his family in the stands, before glancing to catch teammate Andrea Pirlo wiping away tears: “Ragazzi, let’s not start now, eh?” Indeed: despite the celebratory atmosphere, there was a game to be won, and for the victor a potential spot in next season’s Champions League beckoned. Yet it was at this moment that the Curva Sud, the area behind the goal on the second tier which is home to Milan’s most fanatical followers, chose to have its say, by unfurling a large banner which controversially criticized the man of the hour:

“Grazie capitano: sul campo un campione infinito
ma hai mancato di rispetto a chi ti ha arricchito”

“Thank you Captain: on the pitch an ageless champion
but you have shown a lack of respect towards those who made you rich.”

The celebration had been marred by a small section of Milan supporters, who chose Maldini’s farewell home match to turn on their loyal captain. For one of the sport’s greatest ambassadors, a model of service and fair play, it was a shocking reception.

The match kicked-off, and Milan came twice from behind before eventually losing 3-2, a defeat which has thrown their hopes of playing in Europe next season into jeopardy. At the final whistle, all twenty-two players ran to embrace Maldini, who then, at the encouragement of his colleagues, somewhat reluctantly embarked on a weary lap of honor. As he approached the curva, the same disgruntled fans took its second dig at their captain, unveiling a second banner.

“Per i tuoi 25 anni di gloriosa carriera sentiti ringraziamenti
da chi hai definito mercenari e pezzenti”

“For your glorious 25-year career you’ve received praise and thanks
from those you once defined as mercenaries and tramps.”

Spray-painted banners, known as striscioni, are a common sight in Italian soccer stadia, and play a significant role in ultrà culture. Gli ultras are Italian teams’ most die-hard supporters, the kind of people for whom being a football fan is a full-time job. Often topical and usually humorous (ultràs love a good play-on-words), striscioni can be used to great effect in rallying home fans or breaking the tension in an important game. If critical, they generally target the club’s upstairs management or a teams’s poor performances. Rarely do individuals come under personal attack. But in Maldini’s case, it was clear the milanisti had old scores to settle. To further rub salt into Maldini’s wounds, they even dusted off a giant red-and-black striped flag with a huge white number six, the shirt number (since retired) worn by former Milan legend Franco Baresi, from whom Maldini inherited the captain’s armband in 1997. The bitter disappointment was etched on Maldini’s face as he shot a sarcastic thumbs up to his critics on the second tier on the curva — he could even be seen mouthing the words “figli di puttane”, though after the game his only official comment was “I’m proud not to be one of them.”

“It’s my home — it always has been, it always will be.” This is how Paolo Maldini once described Milan’s Stadio Giuseppe Meazza, more commonly known as San Siro after the area of the city from which its imposing twists of concrete spiral into the Milanese fog. For decades it has been home to both Milanese clubs, Milan and Inter, but far more than just a historic soccer ground, for Maldini the famous stadium has also been his place of employment for the past twenty-four years. Maldini made his Serie A debut for the rossoneri in January 1985; he has since pulled on the red-and-black number three shirt 901 times, collecting seven scudetti (the Italian league championship title) and five European Cups/Champions Leagues in the process. He also won 126 caps for Italy between 1988 and 2002, playing in four World Cup tournaments. Maldini’s berth in football’s hall of fame has been assured for some time. Famed not only for his success but also his longevity, today the Italian is internationally adored and universally recognized as one of the greatest defenders to ever play the game. After extending his contract for one final season in 2008, the Milan captain finally announced his decision to retire from playing at the end of this season, just four weeks before his forty-first birthday.

So why the sudden backlash, and from his own fans no less? Italian sports daily La Gazzetta dello Sport tried to get to the bottom of the affair on Monday, even reporting comments of members of those responsible. “We just wanted to make a few things clear to him,” said Giancarlo Lombardi, leader of Milan’s organised support. “Maldini hasn’t always been respectful towards us in the past.” Nicknamed “Sandokan”, Lombardi claimed to be on his way to a bar just yards from Milan’s administrative headquarters in Via Turati. With him was Giancarlo Capelli, also known as “Il Barone”, historic capoultrà of the Curva Sud. Neither man was at Sunday’s game since both are already banned by Italian law from attending sporting events, but their orders had clearly been carried out.

Their grievance goes back to May 2005, when Milan dramatically lost the Champions League final to Liverpool after a penalty shoot-out, despite having galloped to a comfortable 3-0 lead at half-time. On Milan’s return from Istanbul the team ran into a group of hostile fans at Malpensa airport, who told the players they should ask for forgiveness. It was at this moment that Maldini, who had scored the game’s opening goal after just sixty seconds, responded with his now infamous “tramps” remark.

The second incident was before the 2007 Champions League final, in which Milan got their revenge over Liverpool, winning the match 2-1. A large portion of the curva ran into problems with the law in Athens, and did not appreciate Maldini’s decision to distance himself from the issue. As a consequence, the following August the entire curva refused to support the team at the 2007 European Supercup in Monaco, even preventing the more casual fans to cheer as the rossoneri ran out 3-1 winners against Sevilla. The surreal atmosphere continued at Milan’s home games for several months during the 2007-08 season.

“I don’t know why they decided to dredge up these things now,” said Maldini, recalling the incident in Wednesday’s Gazzetta, his first interview since the Sunday’s controversy. “I’ve never had a close relationship with the fans,” he told Giovanni Battista Olivero, “But not out of snobbery — with my last name I always had something to prove, and so I wanted to be judged solely by what I did on the pitch.” Maldini was referring to his father, Cesare, who captained Milan to its first European Cup success, over Benfica at Wembley in 1963. “I guess there are those who interpret this as arrogance or disregard.”

Asked about his strong comments immediately after the match, the Milan captain stands by them. “It was an instinctive response to an act which had been premeditated for days, months, maybe years. I didn’t have the chance to think. I was a wounded man.”

More than the attack itself, what hurt Maldini most was the silence of the club itself. “I don’t like the way they haven’t taken any position on the matter,” he explained. “There hasn’t been one comment. From the president down, not a word of solidarity towards me. Call me an idealist, but I believe that a club like Milan should disassociate itself from certain episodes.”

* * *

Italian fandom, like Italian politics, is an extremely complex world, both nationally and within the confines of a city or club. So complex in fact, that most outsiders (including the majority of the foreign press) too often resort to fulfilling lazy stereotypes rather than trying to fully understand the socio-cultural make-up of a club, city or nation. Though not a violent incident, Sunday was the latest poor advertisement for Italian fan behavior, in a week when Manchester United fans travelled for the Champions League final to Rome, dubbed “Stab City” by the Times of London. Of course, these same knife-wielding thugs are also responsible for the intricate and spectacular choreography common in Italian stadia, and so admired across Europe.

For several years the positions taken by Milan’s organized support have become increasingly unpredictable, and its relationship with the club’s management evermore turbulent. The notorious Fossa dei Leoni (Lion’s Den), the first ultràs group founded in Italy, was dissolved in 2005 almost overnight, following political disagreements with other fan organizations and an alleged collaboration with Digos, a special operations branch of the state police. The inner-politics of the various curva groups and their relationship with the club and the team has been strained ever since. The ultràs‘ biggest gripe, perhaps justifiably, has been Milan’s reluctance during recent transfer campaigns to invest in younger talent, instead opting repeatedly for established stars on the wrong side of thirty. This policy is perhaps harder to take given the fact that since the late-1980s until recently Milan — under the financial backing of media tycoon and current Prime Minister, Silvio Berlusconi — had spent large sums of money each summer on some of the world’s finest players, resulting in the most sustained period of success in the club’s history.

Maldini himself has faced criticism before. “It’s not the first time the fans have turned on me,” he recalled. “During the 1997-98 season, I’d been captain for six months when they began suggesting I wasn’t worthy of the armband. They even painted a banner outside my house which read, ‘Less Hollywood, more hard work.'” (Hollywood is a famous discoteca in Milan, and a popular hotspot where footballers, models and stars of TV can rub shoulders. Ironically, Maldini, his wife Adriana, friends and teammates spent the evening at the nightclub after Sunday’s game.) Perhaps due to his stature at Milan, and within the sport as a whole, Maldini has the mental capacity to render himself impervious. “These things make you grow,” he said. “I’ve developed an intellectual freedom and a freedom of expression which I’ll never give up.”

Over the course of the week the international football community has been quick to leap to Maldini’s defence. On Thursday, the morning after Barcelona’s Champions League victory over Manchester United, Barça coach Pep Guardiola dedicated the triumph to the Milan captain, saying, “He has all of Europe’s admiration.” The same day Milan’s general director Adriano Galliani officially responded to Maldini’s criticism of the club’s handling of the affair and lack of support towards him in the form of an open letter, which appeared on the club’s official website:

I read your interview and I understand your sadness: as you know, I’ve been under escort for the last two years because of the very same people who contested you.

It was me who took the decision to remain quiet: not just because I’d been advised, but because I believed, and still believe, that silence is the most effective weapon, and I did not wish to give these people further exposure after what happened on Sunday.

Maldini has routinely stated that he does not plan to go into coaching following the end of his playing career. Having played under his own father for both Milan (2001) and the Italian national team (1996-98), he has witnessed first-hand what effect that job can have on a man and his family. Paolo’s eldest son Christian is currently working his way through Milan’s youth ranks, and has by all accounts already developed many of his Dad’s signature defensive attributes. Milan have already made public their plan to resurrect the number three shirt (set for retirement along with Paolo) should another Maldini make the first-team squad.

Some feel that this final ugly act may push Maldini even further away from the game. He certainly has other interests outside of football, most notably the popular casual clothing line Sweet Years, which he founded with former Inter striker Christian Vieri in 2003. Though inexorably associated with one city and one club, Maldini clearly sees a world beyond the confines of Milan, both the team and the city. He has often expressed a desire to live in the United States –- he already owns a vacation home in Miami and is a regular visitor to New York.

On Sunday Maldini will play his last ever professional game against Fiorentina, a match which essentially has become a play-off for third and fourth place in Serie A and an automatic Champions League position. Whatever happens in Florence, Milan will begin next season with a new coach, the Brazilian Leonardo, a new captain,