Author: James Campbell Taylor

Room with a View

When I moved to Italy in the autumn of 2003, I was lucky enough to be offered a place to stay by an old friend of my parents, a retired English teacher named Bibi. That isn’t her real name: she’s actually called Fortunata Maria, but for reasons unknown people have always called her Bibi, so that’s what we called her too. Bibi lived in a small town called Borgo San Lorenzo, in the Mugello valley, roughly an hour north of Florence (or half an hour if you’re being driven by an Italian). I’d first met Bibi when I was eleven — my family and I had spent many summers on holiday in Italy and had stayed with her on most of those visits. Consequently I had a lot of friends in the town, and was certainly taken care of at home: Bibi’s live-in help, a Neapolitan woman named Tina, would serve me an industrial quantity of pasta twice a day, and if I didn’t eat with them it was because I’d been invited to dinner by someone else.

Despite the relatively easy life I was leading in Borgo, there was little to do there, and like most small Italian towns this one became somewhat deserted every afternoon. A typical day generally consisted of meeting friends at the bar, reading La Gazzetta dello Sport, eating a big lunch and taking a nap, before getting up and doing the same thing all over again until bedtime. As much as I genuinely enjoyed watching television dramas most nights with Bibi, it didn’t take a genius to figure out that I couldn’t stay there forever, and that for all my young person’s needs — social, cultural and professional — Florence was where it was at. I’d begun working in the city after Christmas, and the daily commute on bus and train was beginning to take its toll. Though they were little more than an hour away, the difference between Florence and Borgo was more appropriately measured in light years. By the early spring I decided that five months was about all I could take.

Through a colleague I’d been given the number of a doctor in Florence — let’s call her OC — who as luck would have it was looking to rent out a room in her apartment, which had been described to me as “gorgeous”. While sharing a house with a Florentine divorcée perhaps wasn’t my ideal living situation, it made marginally more sense than staying in a sleepy Tuscan town with a reclusive former English professor and her hyperactive cat. When my colleague began describing the spectacular view from OC’s apartment my initial hesitancy began to wane and I decided it was an opportunity I had to investigate.

OC was on the island of Capraia that afternoon when I called to introduce myself, but we arranged to meet at her apartment a week later — by which time my already overly active imagination had begun to visualize a new life in Florence, complete with all its glamorous trappings. It was a decidedly unglamorous wet spring afternoon however the day OC and I finally met. Getting off the bus in Piazza della Libertà, I walked on Via Pier Capponi for several minutes in the direction of Piazzale Donatello before successfully locating the address through the drizzle. Realizing I was half an hour early, and with no bar in sight, I was forced to take cover beneath a concrete overhang protruding from the adjacent apartment block. Opposite was a non-descript yet quite desirable row of mid-century residential buildings, of which number seventeen was arguably the largest: a big yellow construction with a pizzeria on the ground floor and a hotel next-door. The top floor apartments were graced with a long balcony running the width of the building; trying to remember what vague information I’d been provided with I suspected one of those was OC’s.

At three-thirty I made a dash across the street and buzzed: a voice responded, I pushed open a heavy metal door and entered a small lobby decked in marble and glass. The elevator had a manual wooden door with a round window like a ship’s porthole, then two narrow doors with even narrower windows. The interior of the lift was covered in a red carpet, except for a bathroom-sized mirror attached to the back wall. Arriving at the sixth floor, I pulled open the thin double doors and saw OC beaming at me through the porthole window.

The first thing I noticed were her black leather pants — more Joan Jett than medical professional — which she paired with a white boat neck long-sleeved t-shirt. Streaks of grey ran through her shoulder-length brown hair which was pulled away from her face, as though she’d just showered. I guessed her to be in her early-fifties, though her youthful manner — and wardrobe — seemed to defy her mature visage.

OC and I shook hands and entered the apartment through double wooden doors, upon one of which was a plaque engraved with “Dott.ssa” (Dottoressa). We entered a dark and roomy hall dominated by a huge wooden dresser, possibly the largest piece of furniture I’d ever seen, itself half-hidden beneath a mountain of clutter. She then led me through frosted glass doors into a spacious living room. Despite the overcast weather, light poured in through sheer curtains covering glass doors leading out to the balcony. In front of the curtains was a huge potted plant, its droopy leaves partially covering one of two comfy beige sofas. Still wearing my raincoat, I sat down in the middle of the other one, directly beneath a giant canvas depicting a barnyard scene in the moments which followed the birth of Christ. OC revealed that it was a reproduction of a Ghirlandaio fresco in the church of Santa Trinità. She said she didn’t much care for it, but since it was the work of a friend of hers she felt somewhat encumbered by it. It wasn’t the only item of interest: two giant lanterns sat in the corners of the room which had originally been used on steam engines (OC’s grandfather had worked on the railways). She then offered me a choice of coffee or limoncello. I chose coffee; a minute later she returned from the kitchen with both.

OC sat down in an armchair directly in front of me, and placed a tray between us on a matching ottoman. She then proceeded to talk. And talk. And talk — until I realized I’d finished both my drinks without barely having uttered a word. She appeared perfectly happy to skirt conventional conversation starters — who I was, where I’d come from, what I was doing in Florence and how I’d ended up in her living room. Instead she soon began to ramble almost absentmindedly about her vacation home on Capraia, right down to its shoddy plumbing. I tried listening to her with intent at first, but soon my eyes began to drift around the room, observing the hand-painted wooden panels which hung on the wall behind her, and even glimpsing the hilltop town of Fiesole through a gap in the curtains. Though bemused by OC’s complete disinterest in her potential housemate, this wasn’t enough to put me off. Her apartment was the kind of vast, sprawling, Manhattan-style pad I’d only ever seen in old Italian movies, and having got through the door I was not about to give it up. Besides, as far as I was concerned the less interest OC showed in my life the better.

I hadn’t even yet seen my room, but really I didn’t need to: one glance at the view from the kitchen sealed the deal for me. More French doors gave way to another balcony, and beyond a row of trees the city’s mighty Duomo rose up defiantly through the afternoon drizzle. I couldn’t possibly turn down this opportunity, if only to make my friends eternally jealous. We agreed on a monthly figure for rent: €350, bills included. I couldn’t believe my luck.

* * *

Less than two weeks later I arrived back at OC’s, this time with two large suitcases in tow packed with all my worldly possessions. OC welcomed me with open arms and introduced me to a friend with whom she was enjoying a post-lunch cigarette. The friend offered me something to eat — some kind of sausage and salad — which I politely accepted. She seemed more interested in me than OC had on our first meeting, who again paid me scant attention, as if twenty-something British men move into her home every week, and I got the impression I was merely a footnote upon the epic nature of her own daily concerns.

The neighborhood — Florence’s affluent Campo di Marte district just outside the centro storico — was perfect. The languages school where I taught was a short walk away, as was the football stadium, which to my delight was even visible from OC’s living room. A door off the kitchen led to my room, although I should really say quarters, since I had a hall, bedroom, bathroom and balcony (which shared the same spectacular view as the kitchen) all to myself. The room was furnished with a beautifully carved wooden bed, a large wardrobe, a small chest of drawers, an antique bookcase and a brand new IKEA desk. That night I went to bed early but was kept awake by the incessant drone of traffic emanating from Viale Matteotti, the wide tree-lined boulevard running behind the next row of buildings. I’d never lived in a town even half the size of Florence, and arriving directly from Borgo made the transition even more dramatic. From my new bed I gazed at Brunelleschi’s cupola (which appeared to loom even larger at night) as the sound of buzzing Vespas peeled up and down the street. At last, urban civilization — modern and not so modern — could be seen and heard, and the next morning I felt reborn, as if I’d just awoken from a five-month socio-cultural slumber.

OC had two beautiful children from her dissolved marriage, a girl and a boy. Though their father lived just a five-minute walk away, only one divided his time between both parents; the other (the daughter, who was older) had chosen to live permanently with her mother. Their dad lived a short walk away in Piazza d’Azeglio. I spoke to him a couple of times on the phone, and even met him once. He wasn’t particularly friendly, but then his ex-wife had suddenly taken in a foreign man half her age, so I couldn’t really blame him for being skeptical. I remember a divorce lawyer coming to the house a few times, but I never asked OC about him or why they separated. She once suggested it was because she liked to watch Stargate and he didn’t, which I supposed was as good a reason as any.

OC’s daughter was a typical Italian twelve-year old, her interests revolving mainly around horses and the British boy band Blue, yet she was sassier than most kids her age and seemed genuinely excited by this unconventional domestic set-up. Her son turned ten shortly after I moved in, and life was certainly more hectic (and louder) when he was around. Mealtimes were particularly chaotic: all three would eat at the kitchen table, and from my nearby room it seemed at times as though they were competing with the TV to see who could make the most noise.

I would often be asked to join them for dinner, an offer I readily accepted out of polite gratitude but also based on the fact that the combined din of two excitable kids and the blare of Italian primetime television made it impossible to concentrate on anything, despite the two doors which separated us. OC herself was the possessor of a booming, almost manly voice: when my Dad called the apartment and she answered the first thing he said to me was, “Who was that bloke?” Needless to say her regular breakfast phone calls to patients and colleagues soon meant I no longer required a conventional alarm clock. OC could whip up a pretty tasty pasta or roast pork, and was also fond of cooking homemade hamburgers. When the weather got warmer she regularly made gazpacho or panzanella for lunch. I enjoyed eating and watching cartoons with the kids, and in those early months we’d often engage in epic after-dinner soccer matches in the hall which would last until bedtime (or until somebody got hurt by slipping on the tiled marble floor). This was certainly preferable to spending the evening trapped with OC, for once the kids were out of sight I began to understand just what kind of person she was.

As was my initial impression, it was soon confirmed to me that OC did not excel as a conversationalist. What she did do well were monologues, and could talk quite happily for long periods without interruption. Of course, any interjection on my part was unlikely as she limited herself to discussing subjects which I knew little or nothing about: Etruscan ceramics, the commercially unsuccessful films of Gérard Depardieu, or her trip to Greece in 1971. It soon became evident that any topic in which I might offer any relevant input was strictly off-limits. When talk did turn to the everyday my opinions on food or life in Italy held absolutely no weight whatsoever by pure virtue of my being British. Conveniently, OC claimed not just her Florentine status, but thanks to her parents was also equal parts Roman and Venetian, and despite never having lived there seemed to understand everything there was to know about Naples too. With four of the country’s major cities among her areas of expertise, any comment I had to make about Italy could be dismissed in an instant. Meanwhile, OC remained completely oblivious to my own life and background.

I soon realized these were the classic traits of a very insecure person, and I began to feel some pity towards her. There was something sad about the fact that all her lengthy anecdotes recalled events which took place at least twenty years ago, as if her life had somehow stopped after having children. Sometimes her stories weren’t even first-hand: I remember one evening she recounted a lengthy tale about a friend of a friend who’d become involved in a complex romantic triangle while living in Brazil (which wasn’t as exciting as it sounds). OC’s highly elevated sense of self-importance was evident not just from her choice of subjects but also her preference for the supposedly intellectual channel Rai Tre (the third station of Italy’s state network RAI), as well as her refusal to let others speak. When a lengthy story finally drew to a close she would abruptly switch off the television, utter a one word goodnight (“Notte!”) and march out of the kitchen, like a performer exiting stage right as if to deliberately avoid the scorn of critics. Of course, there were no critics, just a speechless and weary audience of one.

After dinner OC and the kids would get ready for bed almost immediately, so by ten o’clock each night I pretty much had the run of the place. They never sat in the big living room where OC and I had had our first meeting, and rarely did I, preferring instead to work in my room, or practice my saxophone. Sometimes late at night I’d sit on the balcony with a cup of tea and admire the breathtaking panorama of floodlit Renaissance architecture. To my good fortune the other bedrooms were on the opposite side of the apartment from mine, so I could even listen to music at night without disturbing anyone. Rather than use the large double-doors, OC gave me keys to a side entrance into the kitchen, allowing me to come and go as I pleased. This arrangement worked just fine, although in the first three months I became locked inside the apartment on two separate occasions.

OC’s huge bedroom with en suite was dominated by a large bed, giant wardrobes and the strong pervading essence of Chanel. Despite the ample closet space her shoes and clothes were routinely strewn about the room like those of a messy teenager. Both kids had their own rooms and shared a bathroom, which was inevitably something of a disaster: clothes, toys and dirty towels littered the blue-tiled floor and the mirror was smeared with pre-adolescent messages scrawled in lipstick. It did not take me long to discover the kids took after their mother, at least as far as general tidiness was concerned. OC’s organizational skills left much to be desired, even for an Italian. Her office, or study, or whatever you wish to call it — personally I considered “bombsite” a more apt term — was the area worst hit. An explosion of open drawers overflowed with countless white boxes of drugs and pills, while hundreds of white paper sticky notes bearing the name of various pharmaceutical companies (the kind that doctors are given free bundles of at conferences) were scattered throughout like fallen leaves. There was a dining table in the middle of the room which was never used for dining, or anything else for that matter, as every inch of its surface was covered in the same mess.

Likewise, the kitchen table had to be cleared of bills, homework, junk mail and more of the same sticky notes each day before it could be used for eating. Most of this clutter would be unceremoniously dumped onto the nearest chair, which meant in order to sit down the same clutter in turn had to be placed onto the kitchen floor, where invariably it would remain, sometimes for several weeks. Incredibly, this untidiness had apparently extended to the interior of OC’s car — a white ’95 Honda Accord — which was identifiable by the mountains of mail and sticky notes piled upon the passenger seats. Ironically, despite all those sticky notes OC was forever without a scrap of paper to hand, so whenever she needed to jot down a phone number or an appointment — or even when helping with math homework — she would simply take a pencil and write directly onto the white kitchen table. Her later attempts to clean her scrawled notes only transformed them into unsightly grey smudges.

OC appeared equally comfortable writing on any surface of her home: upon the white-washed kitchen walls she would record her kids’ heights — and mine — at monthly intervals. I had several years (and feet) on these two Italian tykes, but unlike them I wasn’t getting any taller, so my height remained represented by a crude unwavering pencil line six feet off the ground, next to which OC scrawled my name erroneously as JAMENS. This proved another ridiculous burden I had to live with. What began as an innocent child’s mistake (my name had been entered with an unwanted “N” as we played a computer game) soon took on a life of its own, and I quickly became known as “Jamens” (pronounced Yah-mens) by the entire household. While I initially took it as a sign of affection the habit soon began to grate, particularly when OC called me by this name in front of people or when discussing more serious matters.

* * *

After six months OC and I had settled into a pretty comfortable routine, though we led completely separate lives. I ate with her and the kids less and less, for fear of being subjected to another installment of The OC Show. Instead I’d eat in a hurry before they did, often twice a day, making sure instead to always take advantage of the rare occasions when they were out. As soon as the weather warmed up, OC and the kids would spend entire weekends at their holiday villa on the island of Capraia, a two-and-a-half hour ferry ride from the Tuscan port of Livorno. Sometimes they invited me to come with them, usually at the last minute, by which time I’d usually already have social or work commitments. On the occasions when I had no weekend plans I declined the offer anyway: though the thought of relaxing on a Mediterranean island was hugely appealing, spending an intense weekend in OC’s company was considerably less so. I’d begun to value my infrequent moments of personal time more highly than anything, and those weekends home alone were more fun than I’ve ever had on any beach.

One Saturday morning in early June OC and the kids left to catch the ferry for the weekend. They wouldn’t be back until Sunday night, and so I’d decided to make the most of their absence by hosting a little party. The second they were out the door I set about getting the apartment into shape: I removed the mail and sticky notes from the kitchen table, and cleaned the kitchen floor, off of which I recovered (in addition to the usual paper products): a stale, gnawed piece of bread, assorted shapes of dried pasta and a stray pair of girl’s underwear. Having finished scrubbing every surface I had just begun preparing food when I heard a key in the front door. Panicked, I had no time to react before OC was standing in the kitchen. Turns out they’d missed the boat, literally. “Abbiamo perso la nave!” she bellowed, almost proudly, like a tipsy old sea captain bursting into the harbor tavern. Naturally, she was oblivious to how her disorganization had ruined my own weekend. (When I finally got the chance again to throw the party — almost a year later — I named the event Mamma, ho perso la nave, literally “Mommy, I missed the boat”: a direct reference to my previous hampered attempt to play host and to the movie Home Alone, which in Italy is called Mamma, ho perso l’aereo.)

You may wonder why I put up with such limited freedom (not to mention OC’s eccentricities) for so long, but for all the valid reasons for moving out there were others which kept me at Via Pier Capponi. That view for starters. Plus, I was paying less in rent than everyone else I knew in Florence and had no utilities. Best of all, in summer OC and the kids would relocate to Capraia for most of July and August, leaving me free to bask in a sun-kissed, Mastroianni-inspired, fantasy life. On Saturday mornings I’d buy La Gazzetta and La Repubblica and read them (and their glossy magazine supplements) over breakfast in Piazza Strozzi, before heading home for lunch and an afternoon tanning on the balcony. In the evenings I’d pour myself a Campari Soda while preparing dinner (a luxury in itself), after which I’d retire to the soft grandeur of the living room, where I’d listen to music, watch meaningless pre-season soccer friendlies or even indulge my passion for classic Fellini. OC had left me the keys to her bike, which meant if I wanted to meet friends for a drink I could be on the other side of the Arno in less than ten minutes. One Sunday morning I woke up early and rode into town. I circled the narrow streets and vast piazze, usually thronging with tourists but now instead deserted, as if I’d stumbled upon an abandoned film set.

The pleasure of those two months was enough to keep me in that apartment for over two years, even though I knew my idyllic lifestyle was destined to end as soon as OC & Co. returned to Florence. In their extended absence the apartment had become all mine, a spotless paradise cultivated in my own image. I even transferred my stereo into the living room, where I’d lounge and plunder through my collection of classic albums. Sadly, this perpetual bliss was punctured the second OC’s front door key twisted the lock. Immediately, it was as if they’d never left: bags were thrown on the floor, clothes were dumped on the backs of chairs and clutter — keys, mail, toys, whatever it may be — were laid to rest on any available surface. I retired to my room and began calling up my friends in search of an escape.

Having become so accustomed to having the place to myself, when OC and the kids returned I’d look for any opportunity to stay out of the house. When friends suggested meeting for dinner or a drink I never hesitated; when no such offer was forthcoming I’d be content to roam the streets for as long as I could, until, defeated by cold or hunger or both, I’d reluctantly return home. If I could wait until ten I’d generally be guaranteed to avoid running into OC, which in part made me quite willing to work long hours at the languages school where I taught. Sometimes I’d go out for a drink or a pizza with students or colleagues, other times I’d go directly back to a now silent apartment. If OC did happen to still be up past ten, I’d often walk into the kitchen to find her watching TV, at which point she’d thrust a glass of limoncello into my hand. “Chi non beve in compagnia o è un ladro o una spia,” she’d say to me, which literally translates as, “He who doesn’t drink in others’ company is either a thief or a spy.”

Before I could respond, or escape, OC would launch into one of her famous monologues, perhaps a predictable anti-Berlusconi tirade or simply a depressing review of contemporary Italian society’s general malaise. Let’s just say OC didn’t do small-talk. As a self-proclaimed Florentine, she was the first to criticize the city for its problems and shortcomings, but also quick to defend it. If I’d been to a restaurant for dinner, rather than ask me where I’d eaten or how the meal was she’d simply scoff, “Ha! Us Florentines would never dream of eating out in the centre of Florence!” Once she asked me completely out of the blue if I’d ever been to Venice. I had, though not in about fifteen years, but thinking fast I answered, “Yes, many times.” I could actually see the disappointment on OC’s face, as this meant she had to limit her speech to just five minutes, and the hour-long lecture to which I would otherwise have surely been subjected would have to wait for another time, or another unsuspecting victim.

Any pity for OC this scene may invoke should be disregarded immediately. I did pity her, but her situation was caused purely and solely by her complete social ineptitude. The few friends of hers I did meet were very nice, and always showed a much greater interest in me than she ever did. They never failed to compliment me on my Italian, something OC herself never once acknowledged. Perhaps predictably for someone with such vast insecurities, she clearly began to resent me for having any kind of social life of my own, and on the rare occasions when my friends and OC did cross paths she was usually rude or at the very least inappropriate. One stormy Sunday night a colleague, SM, an at times painfully polite British woman and a dear friend, came over to pick me up on the way to the movies. OC was ironing in the kitchen when I introduced the two women to each other. “Have you come to prepare lessons together?” she sniggered between drags on a cigarette, before letting out a nicotine-induced chuckle. SM, clearly taken aback, seemed forced to defend herself. “Actually, we’re just going to the cinema.” Sadly OC’s pathetic comment was pretty typical, which is why I avoided inviting people over unless I could guarantee that she wasn’t going to be around.

I’d been at Via Pier Capponi for little over a year when I became involved with JP, an American woman whom I’d originally met in the spring of the year before, just a couple of weeks after moving to Florence. JP was visiting Florence for the summer, and spent several nights at the apartment, though we usually only returned home after midnight. One Saturday afternoon we ran into OC as we were leaving the house, just as she and the kids were sitting down to lunch. The kids waved ciao and OC herself seemed perfectly at ease with the fact that a girl had spent the night in my room. I was twenty-six after all — could she really be surprised?

The summer rolled on and JP and I spent many more nights in the apartment together, including whole weekends while OC was in Capraia. Officially, JP was staying in the apartment of a mutual friend, who was also out of town, so other nights we’d stay at her place. JP left Florence at the end of June, by which time OC and the kids had moved to Capraia for July and August. When they eventually returned from the island, almost two months later, OC took me aside as I boiled water for a cup of tea. “James, don’t bring people into the house,” she told me coldly. “It’s a problem for the kids. And a problem for my ex-husband.” It struck me as extremely inappropriate that her ex-husband might be weighing in on my private life, and I knew for a fact that the kids had no problem with it (they’d even asked me excitedly about it). Of course, OC had neglected to mention the real issue, which was that it was a big problem for her. What really irked me was her use of the word gente (“non portare gente in casa” was what she’d said) as if I was picking people up off the street each night. She’d never mentioned anything about me having people over, but I don’t know what else she expected. Maybe it had never occurred to her. At that point I vowed (to myself at least) never to bring anyone else into the apartment, and to begin actively seeking alternative accommodation.

* * *

By now my motives for moving out were beginning to outweigh the reasons to stay. Though the apartment belonged to her, OC had never once attempted to adjust her lifestyle to suit the fact that I was now also living there. She showed little or no respect for my needs, and it seemed both unfair and ridiculous that I shouldn’t be able to indulge in normal social activities. And as spectacular as that view still was, it certainly wasn’t enough to make me put up with everything else. I’d also now come to the realization that OC was not just untidy and disorganized, but actually dirty. Mystifyingly, she seemed incapable of using an ashtray, and would routinely flick ash into the kitchen sink, where it would fall onto the stack of dirty dishes which remained from lunch. Once, as I attempted to clean the living room, I came across an upturned ashtray under a coffee table, its grey, powdery contents now embedded into the rug. On one unpleasant occasion I even found a partially used cigarette in my own bathroom: evidently OC had been smoking while doing laundry (my bathroom also housed the apartment’s only washing machine), and had simply extinguished it in the nearest receptacle.

Meanwhile, OC’s now teenage daughter had also become less pleasant to be around. I’d somehow been oblivious to her transformation from pony-loving child into sulky adolescent, which she’d managed to complete in the space of just a few weeks. Only months earlier I was being dragged into town by her and her friends to go shopping or helping her choose an outfit for a party at her behest. Now I barely saw her, and only reluctantly would she acknowledge me when I did. I put this down to teenagerdom but it was clear I was no longer a novelty in the household. Even OC’s generosity toward me had waned. When my wallet had been stolen a few months after I moved in she’d lent me the €60 I’d lost, now she barely gave me the time of day.

Whether she knew it or not, OC was headed fast for another divorce, this time without even getting married. By the spring I couldn’t wait to move out, and nothing about her behavior looked likely to make me change my mind. In March I left to visit JP in New York, just days after learning that my grandmother had been hospitalized having suffered a severe stroke. When I returned to Florence there was a message from my Dad telling me she’d died. “Yeah, a patient of mine died the other day,” was OC’s immediate and thoughtless response, which only demonstrated that she was even more self-absorbed than I’d originally thought.

Immediately I began consulting friends about alternative living situations and scouring the hundreds of apartment ads which litter Florence’s streets and lampposts. That summer’s World Cup gave me the perfect excuse to be out all night watching football and was a welcome distraction from apartment hunting. One weekend in June I took the train up to Milan to visit a friend on Lago Maggiore. I had no idea of the surprise which awaited me on my return.

I had an early start on Monday and was in the middle of making breakfast when OC breezed into the kitchen, still wearing her dressing gown and enjoying an early cigarette. “Buongiorno, Jamens,” she said. We never ran into each other in the mornings so I should have perhaps known this time would be memorable.

“I’ve got some news for you,” she announced, as I stood eating my cereal. “We’re moving house!” I spluttered milk onto my tie. I was genuinely shocked, and had so many questions, mostly of the what/when/where variety. OC helpfully filled me in and told me the address. “Number eleven, like the bus. We move at the end of the month.” I assumed this had all happened suddenly, but in actual fact it turned out OC had been negotiating the sale of the apartment for some time.

“I’m so glad it’s all over,” she confessed. “Because the whole situation has caused me a lot of stress.” Naturally, OC failed to acknowledge the stress that had suddenly been placed upon me, as I now found myself with less than two weeks to find a new place to live. To my astonishment, it evidently had not occurred to her that I might see this as a healthy opportunity to move out.

“Obviously, you can come with us,” she explained. “The new place is smaller, but you can share with one of the kids.” Her suggestion was so preposterous as to literally leave me speechless. My current living situation was already less than ideal; I definitely wasn’t about to make it worse by sharing a room with a twelve-year-old. Instead, I declined OC’s offer, explaining how I wish I’d had more time to figure out just what I was going to do.

That afternoon I met my friend KO for a coffee, who generously suggested I move in with her. She was about to leave for Barcelona for a month, so it seemed like a handy stop-gap solution. I began packing up my possessions into large boxes, and the night before she left moved the first of them into her studio. The new apartment was only a ten-minute walk away but it took me the best part of four days to transfer everything. Most of this work had to be carried out either late at night or early in the morning; it was the last days of June, and by mid-morning simply too hot to be walking under the beating sun, let alone with luggage in tow. On the fourth day, a Sunday morning, I ran into OC in the kitchen as I lugged the final few boxes to my new lodging. Still in her robe, cigarette in hand, she seemed confused.

“Wait,” she said, apparently struggling to grasp what was happening. “Are you moving everything on foot?” With a wine box full of paperbacks in my arms and a giant Benetton duffle bag over my shoulder I could only muster a shrugged “Yeah”. Exhausted, I slumped my cargo onto the kitchen floor, expecting her to offer to help me take the rest of my stuff in her car, which was parked downstairs. It would have been great had she suggested it earlier but I wasn’t about to refuse. At that point she continued. “Well, think of the money you’ve saved instead of going to the gym.” OC turned on her heel and exited the kitchen, stage right. It was the last conversation we ever had. I hauled the remaining bags and boxes into the elevator and left Via Pier Capponi for the final time.

The next two months were spent living in a tiny studio which could barely contain all my possessions, and when KO returned from Spain we were forced to share everything, including a bed. My attempts to find a place of my own proving frustrating, in the end we both wound up moving into a new apartment together, by miraculous convenience located directly upstairs. It was a beautiful, four-bedroom property, and the size of the place meant we had to find two extra roommates. By extraordinary serendipity the first person to answer our ad was HG, an Italian literature student who soon became my girlfriend. My new landlady, a highly strung and heavily pregnant woman clad head-to-toe in checkered Burberry, was, in many ways, the exact reverse of OC, yet together with our new roommates, still proved capable of causing me bundles of unwanted stress (but that’s another story). I finally felt my luck was changing: I was enjoying my new life and the undoubted freedom it brought me. Meantime still I had heard nothing from OC.

The months went by, then one early summer evening I was on my way to a Fiorentina game when not far from the stadium I noticed a white Honda, not unlike OC’s, caught in the matchday traffic. The car passed me as I prepared to cross the street, but the low sun’s glare gave me no chance of identifying it as hers or not. When I’d reached the other side I turned and saw a dog stick its brown head out of the backseat window, before the car itself disappeared quickly around the corner and out of view. Knowing OC didn’t have a dog, I could only assume it had been somebody else.

The following afternoon, I was sitting reading the paper when my phone beeped. It was a text message from OC! Turns out the white Honda had belonged to her after all:

“Evitare il saluto è un gesto scortese privo di buoni motivi. Buona fortuna.”
“Avoiding a greeting is an impolite gesture without motive. Good luck.”
(It should be pointed out that to genuinely wish someone luck in Italy one says “In bocca al lupo” or “into the mouth of the wolf”, to which one always should reply “Crepi” or “Death to the wolf”; OC’s use of the literal term “good luck” was clearly meant in a less than positive, dismissive sense.)

Almost a year had passed since I’d moved out and this was the first time I’d heard from her. Not a phone call to see where I’d moved, not an invite to their new place for dinner, not even an SMS to check I was still alive — until now. I debated over replying for several minutes; on the one hand it was such a resentful message I didn’t want to give weight to it, but at the same time I didn’t want her to go through life thinking I was the one with the problem. So I wrote back explaining that I hadn’t seen her and if I had I’d have naturally said hello. Perhaps unsurprisingly, I never heard from her again.

HG and I moved out in June, and it wasn’t many months later that we found ourselves in New York. Sometimes, when I’m watching Fiorentina on cable television, or even if I hear an Italian voice on the street, my mind drifts back to Florence and begins to reminisce. I wonder what OC and the kids are up to now. I think of her blaring voice, the cigarettes and those endless monologues. I remember scorching, Campari-drenched afternoons on the balcony, and long winter nights with just Chet Baker and Amaro Lucano for company. You might call such recollections of Via Pier Capponi affectionate, nostalgic even. And maybe that’s what they are. But the only thing I ever really miss is that view.

Scenes From an Italian Restaurant

Though I try to keep this website up-to-date with what’s going on in my New York life, there is one tale I have yet to tell. In fact, the subject matter is of such a dark and depressing nature I have had to wait until the onset of Spring to even discuss it. And after I write this, I hope to erase the entire experience from my memory. Here goes.

Around mid-January, I found myself to my surprise, still in New York, but also jobless and soon-to-be-homeless. Having exhausted all other avenues of potential employment I became desperate, and began handing out resumes in every cafe, bar or restaurant where I thought I could stand to work. With no prior experience in the food and beverage industry I was compelled to make up a phony resumé which stated I had worked at various places in Italy. I deliberately chose places where I used to hang out, the thinking being that if probed I could probably invent a believable answer. To my surprise I was granted an interview on the Upper West Side at Nice Matin, a spacious brasserie-type restaurant on the corner of Amsterdam Avenue and 79th Street, in the same building as the Hotel Lucerne. That afternoon on the way over there I dropped my resumé off at a small unassuming Italian ristorante a block further up and across the street. This turned out to be my first (and biggest) mistake.

I didn’t get the Nice Matin job as I wasn’t legal, but a couple of evenings later I got a call from the other restaurant, and the next morning I went to meet with the manager, a slightly tense woman (let’s call her M). She wanted someone to answer phones, make coffees, serve desserts, and whip up the occasional cocktail. It sounded like an easy and fun gig, so I started the next evening.

I thought my Italian experience would help, though I was clearly hired for this particular job as none of the current employees spoke decent English. I spent most of my time on the phone taking orders, which could often get out of control (especially when busy New Yorkers call for a delivery of “penne with butter”). My other duties included making coffees and cocktails (neither of which I was yet capable), serving desserts, operating the cash register and keeping track of delivery boys’ tips. At the end of the night I’d count the register, give the night’s takings to M and wrap a drawer amount of cash in a rubber band and place it in a tumbler in the back of the fridge. M turned out to be not only tense but also uptight: the kind of micro-managing, hands-on, control freak of boss I hope never to encounter again. She would criticize everything I did and generally treated me like a small child, permanently breathing down my neck. After a couple of weeks I realized I was in hell, but I needed the money so badly I had to stick it out. It was frustrating because I’m sure some restaurant jobs can be fun. This one wasn’t.

The place itself would get very full on weekends and quite stressful. This was the only restaurant in the western world which still uses the carbon paper check, which means to change something requires crossing out and rewriting on three separate pieces of paper, resulting in lots of scribbling and many screwed-up orders. You try mixing a flirtini, slicing a strawberry to be served atop a panna cotta, and making three decaf espressos while on the phone with an angry Central Park West resident who wants to know what happened to her side of grilled zucchini. Sometimes when the delivery boys were extra busy I’d be sent on foot to deliver food locally. This was always a thrill for three reasons: 1) it was a sudden chance to escape the hell of the restaurant and call home; 2) I’d invariably receive a handsome personal tip; 3) and more importantly, I’d be afforded a sneak peak inside the home of an affluent Upper West Sider.

M herself knew very little about Italian food or wine, believing penne alla vodka or spaghetti and meatballs (her bestselling dishes) to be the height of European sophistication. She also refused to acknowledge that someone could be more informed than her on this (or any other) subject. I got the impression she felt she was doing people a huge favour just by letting them eat in her restaurant, and I felt her general the-customer-is-always-wrong philosophy was an unfortunate attitude with which for someone in the hospitality business to be burdened. On many occasions people took issue with her petty rules and extortionate drinks prices. I ended up losing count of the people who left the restaurant abruptly saying something to the extent of “I’m never coming back.” She’d often tell busboys off with the line, “This is not a diner,” which she’d repeat, almost like a mantra, as if it were her who needed convincing.

The food actually wasn’t bad and we had a number of regulars, including author Philip Roth (who always ordered a Sprite with no ice). Michael Richards (Kramer from Seinfeld) ate there one Friday night, and former mayor Ed Koch came in once before quickly realizing he was in the wrong restaurant (this happened often). I also took several orders from the McEnroe household on Central Park West. Sadly employees weren’t treated to the same fare, but the nights were so long I’d actually look forward to my eleven o’clock bowl of over-cooked rigatoni swimming in thin watery tomato sauce washed down with a tumbler of Diet Pepsi.

A further sign of her rampant paranoia, M spied on us through a small camera connected to a computer located in an office upstairs, and when she wasn’t in the restaurant she would call to tell me not to talk to the other waiter or to ask the busboy not to stand in the window. Employees weren’t allowed to try the actual dishes we served, so when customers asked I had to say something stupid like “I wouldn’t know actually, but it sounds nice.” During the long day shifts, when the restaurant was generally empty, I wasn’t even allowed to make myself an espresso. When I decided to change the CDs in the CD changer (there’s only so much Norah Jones and k.d. lang a man can take) M scolded me for going through her private things. One day I saw actor Jerry Stiller (Frank Costanza on Seinfeld and Ben Stiller’s dad in real life) walk past the window. I wanted to chase after him shouting “SERENITY NOW!”

One particularly slow afternoon in March was livened up by an unexpected visit from the Health Department. Panicked, M immediately sent me upstairs to try and keep silent the cat which lives in the restaurant, but I guess she didn’t count on the inspectors finding the open can of cat food in the fridge. “You got a cat?!” one of them exclaimed. I could barely contain my laughter. M made up some lame story about the cat being there because her son was allergic, and they let it slide. That cat — whose name was Fusilli — was arguably the most ridiculous aspect of a ridiculous job. At the end of the night we’d have to take it out of its cage, feed it and then barricade it in the kitchen, where it would no doubt eliminate any vermin that tried to enter. Of course, before being tucked in for the night, Fusilli enjoyed roaming like cats do around the dining room floor and under the tables, and we were often let out several minutes late as Pedro the dishwasher chased after it with a napkin. On these occasions I’d just stand in the window and try and focus on the NBA game on the TV in the restaurant across the street.

As the weeks progressed and began to care less and less about the restaurant there were several changes in personnel. Bussers and delivery boys would rotate as often as the week’s specials, but the restaurant also went through its share of waiters. When the Nepalese head waiter suddenly quit, a series of potential replacements were brought in, none of whom lasted longer than a week. One of them was a tall American man. Around thirty minutes into his first full shift his face had already turned ashen with horror. Needless to say, he failed to show up for his next shift after his girlfriend suffered a “freak injury rolling out of bed.” M also rehired a girl from Staten Island, who had worked at the restaurant previously before leaving to perform as a dancer in Las Vegas. Now, back in New York, she had agreed to return to her old job, which was evidently much worse than she’d remembered. About two weeks later she landed a mysterious position aboard a cruise ship.

During my time at the restaurant I was working days at at a marketing agency in SoHo (another disappointing experience, but that’s another story) and nights at the restaurant, which meant leaving the house at eight in the morning and getting home after midnight, or after one on the weekends. Since I wasn’t technically a member of the waitstaff I wasn’t earning tips, but sometimes the head waiter would slip me two or three bucks which meant I got to eat a bagel or pizza slice for lunch the next day around 4:30pm before my shift started. So I was barely eating proper meals, and when I did it was sloppy pasta cooked by a tired little guy named José. I was spending more waking minutes per day hanging around on a Times Square subway platform watching the rats scurrying under the tracks than at home. And eventually I reached a point where I couldn’t take it anymore. In my final week at the restaurant M had just about pushed me to breaking point, criticizing my telephone manner, which she called “abrupt” (this after I’d answered the phone fifty times a night for the last three months) and even questioning my personal hygiene. So one day I called her saying there was work stuff I couldn’t get out of.

A couple of weeks passed, and I had still to receive my final check, so I went back one evening after work to ask for money. On one of my nights off, Paco, a smart former busboy who was still owed cash, had shown up on a Saturday night with the NYPD in tow — perhaps the one time I’d wished I’d been at work. I arrived alone and M, without as much as a hello, told me I couldn’t call her on her cellphone, then berated me for leaving so suddenly and accused me of having “convenienced myself.” This was the tête-a-tête I’d fantasized about. I could have said she was lucky I’d lasted two and-a-half months longer than her average employee. I could have told her that she was the most ungracious, unprofessional person I have ever come across. I could have told her keeping a live cat loose in the kitchen is a Condition IV violation of Code 4P of the New York City Food and Restaurant Services Act and that I could have her shut down with one phone call. But it really wasn’t worth the trouble — I wanted to rid myself of the whole scene, and erase the last three months which had unexpectedly managed to tarnish what was one of my favourite neighbourhoods in Manhattan. So I bit my tongue and walked out of there.

As far as I know the place is still in business, and to this day I still suffer from a slight nausea whenever I’m on the Upper West Side.

MoMA

It was exactly four months ago when I discovered I’d be spending the fall of 2007 working at The Museum of Modern Art. I had long dreamed of the opportunity to live in New York City, yet never imagined it would arrive in the form of an internship at arguably the world’s finest Modern Art museum. A heavy application process (including three essays) had ended with a carefully coordinated trans-atlantic telephone interview with a certain Larissa Bailiff, MoMA’s internship coordinator. I was extremely nervous beforehand, and spent that morning researching extensively the museum’s current and upcoming exhibitions. Fortunately, Ms. Bailiff immediately put me at ease, and we settled into a breezy chat which lasted over forty-five minutes. I like to think my British charm and wit over the phone was what secured me the position of marketing intern, as less than a week later, I received confirmation via email that I’d be spending the next three months stateside. I barely had time to obtain my visa and update my iPod before I was jetting off across the Atlantic to confront a healthy mix of the familiar and the unknown.

Having spent the last four years livin’ la dolce vita in Italy, how would I cope when suddenly tossed into the ultimate modern metropolis that is Manhattan? Quite well, as it turned out: all those years spent studying the city combined with intensive previous visits had earned me something of an honorary self-taught degree in Newyorkology, and I felt confidently able in dodging such infamous New York pratfalls as subway navigation, the delicate art of tipping, and the correct pronunciation of Houston Street.

It seemed like an eternity before I finally had to go to MoMA on Monday morning. In my eagerness I had arrived spectacularly early, and spent almost an hour reading in Central Park before I was due to meet Ms. Bailiff and the other interns. When I arrived at the entrance to the Cullman Building on 54th Street I was informed by the receptionist that the other interns had elected to go to Starbucks. Putting aside my usual boycott of the Seattle-based coffee giant I walked over to Sixth Avenue where I met three other interns — from Connecticut, Los Angeles and Paris. I was surprised to discover such an international bunch — something had told me I’d be the sole Brit. Instead nearly all of North America and Europe was represented. I was relieved to find all the interns smart and instantly likeable, yet I felt a bit like a reality show contestant meeting my competition rivals. I suppose this would make Larissa Heidi Klum. Larissa in person was as I had found her to be on the phone: warm, friendly and a very entertaining speaker, to the extent that a side career in stand-up comedy would not be out of the question.

After our welcoming talk and initial introduction I met my supervisor Julie Welch, who immediately struck me as bearing an uncanny resemblance to the actress Annette Bening. Julie gave me an extensive behind-the-scenes tour of the museum before introducing me to the rest of the marketing team, including marketing coordinator Zoe Jackson and director Peter Foley. She then showed me where I’d be working: a tiny cubicle the size of a phone booth (but without the windows). When Peter suggested to Julie that I’d go crazy in there she gave me the option of sharing the back office with three other interns. But for some reason I chose to stick with the private cubicle, despite its lack of space. I took off my jacket and got down to work.

Though I never quite got over the fact I was spending most days sitting feet away from all those Picassos and Pollocks, it wasn’t long before I began to feel more at home within the field of marketing, a feeling which was enhanced when I attended our weekly marketing meetings. These would generally last under an hour, but I was fascinated to learn first hand of the department’s operations (as well as interdepartmental gossip). One day Zoë gave a report on her visit to Tate Modern, and it was interesting for me to hear how the Tate’s marketing department compared with that of MoMA. I was also amused to hear my colleagues’ take on their London counterparts, and it seemed odd to think I was on the New York side of things. Peter was an impressive director with a sharp sense of humour. I admired his absolute support for his department and the confidence he showed in forcing his opinion for the good of the museum.

By this time Julie and I had begun working closely on a guerilla advertising project, for which we held a meeting with two of Downtown’s hottest young media talents. They were “humbled” to have been contacted by MoMA and enthusiastically bombarded us with ideas, from posters to a MoMA blog (which they felt I should write). It was from this meeting that I began to expand on the MyMoMA idea, a concept I’d originally toyed with before my arrival in New York. MyMoMA is essentially a two-fold idea: 1) a fun, alternate MoMA brand designed to introduce the museum to a younger audience, and 2) a prepaid card with which a larger proportion of the city’s inhabitants could gain regular entry to the museum. I created a marketing outline for MyMoMA, including possible advertising techniques. The guerilla media project never got past the concept stage, and it was frustrating not to be able to follow it through. That’s something I soon learned about MoMA: as cool as it may appear from the outside, in reality it’s also a big business, and ideas must go through everyone from curators to directors to trustees themselves before you see anything happen. While I think the department was generally satisfied with my performance, I don’t feel like my work challenged me enough, and nor was I given the opportunity to show my full potential or range of skills. Of course much of this was due to the relatively brief three-month period of the internship itself.

Perhaps the most pleasurable aspect of the experience was the friendships that came about among myself and the other interns. Even Larissa said we were an especially terrific bunch. We’d all meet once on a Tuesday for our intern lecture, which each week focused on a different department within the museum. One week we were even granted an audience with museum director Glenn D. Lowry. I asked him why the museum was so expensive yet only stayed open until five o’clock, a question to which he seemed unable to provide a satisfactory answer.

I’d often meet my fellow intern buddies for lunch at Remi To Go or coffee at Zibetto Espresso Bar, while an ever-expanding group of us began to enjoy regular evenings at parties in Chelsea or bars on the Lower East Side. I would have ideally liked to have taken more advantage of the various perks offered by the internship, but somehow my plan to visit every New York museum on my days off was never fully realized. My volunteer work for NYC CultureFest and PERFORMA 07 kept me busy, as did frequent trips to West Virginia and Florida. I was probably too caught up in the excitement that living in this remarkable place inevitably creates. I often felt overwhelmed after work when having left the office at 5:30 I was suddenly faced with an entire city at my disposal. Some nights I would walk all the way back to my East Village apartment simply for the pleasure of being on the street, taking it all in.

The internship provided me with a truly unforgettable experience and made me the envy of almost everyone I’ve ever met. I learned a lot about MoMA, museums, marketing and working in the United States. It helped me focus my career in a more specific direction, and confirmed my suitability to this particular field. I met some great people, and the whole thing just flew by, as I knew it would. My long-term plan is to remain in New York, and a great deal of passion, patience and dedication is required in order for that to happen. Yet even if I do one day work in Manhattan again, nothing will ever quite compare to the feeling of strolling down Second Avenue and jostling with New Yorkers aboard the V train up to 53rd Street, where my very own midtown office — OK, cubicle — was waiting just for me.

PERFORMA 07: A First-Hand Review

Through a colleague at MoMA, I’d become aware of something called PERFORMA, a performing arts foundation founded by Roselee Goldberg. I was offered the chance to volunteer for this year’s month-long biennial, PERFORMA 07, and without a real job and lots of extra time on my hands I said yes. At a meeting at the PERFORMA office I was gifted a red PERFORMA (you’ll have noticed by now that PERFORMA is always written in capitals) tote bag and assigned to assist with various projects, performances and what I guess they used to call “happenings”.

Allan Kaprow invented the term in the 1960s with his 18 Happenings in Six Parts, a redoing of which I went all the way to the Deitch Gallery in Queens to witness, though frankly I wish I hadn’t bothered. I’m sure it’s a lot more enjoyable if you’re high out of your mind (or if it’s 1966), but to a 21st century audience the whole thing felt very dated and silly.

The next day I went to Washington Square Park to help set up a giant game of mahjong — you know, that sort of Chinese version of dominoes. This piece was conceived by He Yunchang, China’s most renowned performance artist. Of course, as China’s most renowned performance artist, He insisted on performing completely naked. So after we’d spent all afternoon lugging a thousand painted breeze-blocks from the Judson Memorial Church into the park, the artist appeared wrapped in a sheet, which he soon abandoned in order to play the game. I became roped into playing since we were short in numbers, but since I’m not a renowned performance artist I was allowed to remain fully clothed. After about twenty minutes a somewhat amused NYPD showed up and He Yunchang was asked to put his jeans back on, after which the crowd which had gathered quickly dispersed.

The next day I joined a group of students (and artist Zack Rockhill) in Cooper Square to construct an open-top rectangular igloo using enormous blocks of ice. This was a challenge which was overcome by teamwork and an overwhelming desire to go get some coffee. But everyone agreed the end result was quite beautiful.

The next day I was back at MoMA to assist a backwards march through the museum lobby, as a hundred or so pensioners, children and other people with nothing better to do on a Sunday made their way from East 68th Street to Times Square. Miraculously no-one was hit by a cab, though had they been they’d have struggled to garner my sympathy.

At the Saatchi & Saatchi Gallery on Hudson Street I was asked to attend the opening party of Ulla Von Brandenburg’s La Maison, in which 8 millimetre footage of an old French chateau is projected onto a dark sheet within a maze of brightly-coloured sheets. The whole thing was so dull that one visitor mistook the messy area backstage as part of the exhibit. I was reminded of that David Sedaris story where the guy calls his pile of dirty laundry “an interesting piece”. Fortunately, I was handed the task of tending bar, which proved to be a highlight — if I wasn’t getting any money I was damn sure gonna get me some Grolsch.

Afterwards I squeezed into hip Lower East Side nightspot The Box for Sanford Bigger’s The Somethin’ Suite. Apparently Erykah Badu and Lou Reed were there but I missed them both. That weekend I witnessed another bizarre performance, this time at The Atrium at 590 Madison Avenue. Spider Galaxy was the work of Mexican artist Carlos Amorales, in which a grown woman dressed as a brightly-coloured bird skips and flaps around a wooden “spider’s web” stage for ten minutes before flying/running off in the direction of NikeTown. I sat through the performance twice before also running off in the direction of NikeTown.

After all this volunteering it was about time I got my own back, and was thrilled to be given the chance to play the role of “heckler”, in Yvonne Rainer’s RoS Indexical at the Hudson Theatre on West 44th Street. In what was my off-Broadway debut, mid-way through the performance I was required to lead a bunch of “angry” audience members on-stage to confront the dancers. After the show I ran into Mikhail Baryshnikov for the second time in a week as he exited the theatre (I’d also spotted him days earlier on East 4th Street as I waited for my laundry).

The finale and after-party were held at the Hudson Theatre on Tuesday, although after three weeks of PERFORMA I was more than glad I had tickets across Broadway to see Brazilian folk-singer Caetano Veloso, which I am pleased to say was the best performance I’ve seen this month.

Welcome to the Future

It was a humid evening when I arrived in New York last Friday night. Aching and weary having spent most of the day aboard a Lufthansa jet, I was immediately awoken by the series of advertisements which greeted me at JFK Airport. As I made my way through the endless maze of corridors leading to immigration, my eyes were bombarded with the repeated image of what appeared to be a sort of executive Etch-a-Sketch, but which upon closer inspection was in fact a device they’re calling the Sony Reader. Some very clever people in Japan had figured out a way to compress multiple hardback books into one small tablet of brushed metal, allowing an author’s life’s work to be slotted into a holiday-maker’s carry-on luggage.

Upon learning of this revolutionary product for the first time, two thoughts immediately struck me. 1) If the Reader is a success – which means within a year or two we will be adding it to that cluster of gadgets we all believe we can’t leave the house without – what will it mean for the future of the printed page? Will books become obsolete? It certainly won’t help reverse the youngest generation’s already concerning preference for electronic screens over pens and paper (though could go some way to correcting posture among schoolchildren). 2) How long had I been on that plane?

I first came to New York City as a wide-eyed, highly impressionable 20 year-old. It was the sweltering summer of 1999, and I was achieving an ambition which had stood firm since childhood and throughout my teens, one which for some reason I had never imagined possible. As a boy, New York City may as well have been another planet, so remote seemed the possibility of ever visiting. The few people I met who said they had been left me in awe. Though apparently unattainable in reality, thanks to television New York was accessible daily. I became all too aware of it, and the attraction was something not even my overworked imagination could fathom. What I saw was a tough, gleaming city crammed with the tallest buildings and coolest people, where danger, excitement or something else entirely lurked on every street corner, and where the traffic and the music never stopped. It was the city for me.

Armed with a pocket fold-out map and my Pentax K1000, I spent every waking minute of that week absorbing the city like a sponge, memorizing every detail, taking in (and photographing extensively) every skyscraper, monument, museum, hot-dog stand and fire hydrant along the way. And I walked everywhere (though there’s nothing quite like the thrill of hailing your first yellow cab). I stayed in a hotel on the Upper West Side, and the greatest feeling of all was simply being on the street, strolling up and down Broadway, eating pizza by the slice, chatting with strangers and briefly living a life that could only ever be make believe. I went home with a case of NY-emblazoned merchandise and eleven rolls of exposed film, a changed man.

A lot had happened in the relatively short period which had ensued. Some would say the world had changed, but had New York? For better and for worse, it had, and it was a different kind of breathlessness which overcame me as Manhattan’s skyline rose into view from my taxi window. Reports claimed that crime had been declining since the nineties, when Giuliani began cracking down on the most minor offences, a trend which was supposedly continuing under Mayor Bloomberg. Meanwhile, the spectacular success of certain businesses had begun to monopolize retail space in Manhattan, resulting in a noticeable effect on the city’s physical appearance. There now seemed to be a Starbucks on every block, even in the traditionally less commercial neighbourhoods. In the Theater District, the vast billboards and blinking neon of Times Square had given way to Disney animation and state-of-the-art video graphics, which succeed in rendering even the Coca-Cola logo unrecognizable.

On the city’s not-so-mean streets, the NYPD’s azure blue Chevrolets, once immortalized by television cop shows, had been traded in for a fleet of nondescript white Fords. Those bouncing Taxi-era checkered cabs were long gone – now yellow minivans with electric doors drove tourists from airport to hotel. I read that all NYC taxis will be hybrid 4x4s by 2012. I’m all for saving the planet, but if I wanted a green city I’d have moved to Stockholm. Most shocking of all was that in response to its increasingly international population, every last one of New York’s iconic WALK/DON’T WALK lights had been replaced with a universal walking man/red hand. Now whether crossing Delancey Street or Abbey Road, the experience had become (almost) identical.

Practical types will say that change is inevitable, that cities must continue to evolve in order to survive and stay vital, and I’m sure even many locals would have not noticed or cared about such relatively minor alterations to their city. But for reasons however superficial, I was becoming slightly disillusioned. Here I was, finally living in Manhattan, and not a DON’T WALK sign in sight. I began to wonder if even the humble pretzel vendor’s days were numbered. It was as if the New York I had always imagined, the city I’d inhabited in adolescent fantasies, was suddenly being transformed and taken away. Had I arrived too late? But it’s like when you meet people who say, “You should’ve been here thirty years ago.” What am I supposed to do about that now?

Still a little jet-lagged, I woke up early the next morning and crossed Second Avenue (upon orders from the walking man) to the coffee shop opposite. From the other side of the street the Chrysler Building was clearly visible several blocks in the distance, its soaring concrete and chrome piercing the cloud-filled sky like a needle. It wasn’t quite daylight, but inside the diner people were already tucking into breakfasts of eggs and bacon and pancakes. I took a seat at the counter and ordered coffee. Turning to face the window, I stared out and watched as the yellow cabs glided silently through the Saturday morning drizzle. Had I been foolish in clinging to a New York that is no more (or never was)? Maybe it doesn’t matter if NYC ’07 isn’t exactly the city I’d exalted all these years. What I love most about it hasn’t changed a bit, and what drew me to this place as a child can still be found everyday. Steam rises from manholes, fire escapes adorn every building, the stream of taxis never stops flowing and people really do read The New York Times on the subway. And while there’s space enough in people’s lives for the printed page, there’ll be a place in mine for New York City.

Raising the Bar

The life of a young writer is a hectic and stressful existence, often involving long hours of frantic typing as a deadline fast approaches, time which could be better spent sleeping or enjoying a proper dinner. However, occasionally we must abandon the iBook (or 1960 Lettera 32 Olivetti typewriter) and venture into the real world, all in the name of “research”. This usually means checking out a new bar or club, a task which has the added incentive of perhaps getting a free drink and/or meeting some girls.

Thanks to their brief mention in Elle Decor magazine, I had recently become aware of two designer hotels, The Continentale and the Gallery Hotel Art, each owned and styled by the Salvatore Ferragamo family. Elle boldly describes these establishments as “the jewels in Florence’s hotel crown” — both hotels sit opposite each other in a tiny piazza neatly tucked behind the Ponte Vecchio called Viccolo dell’Oro (literally “Little Street of Gold”).

I wander through the sliding door of the Continentale Contemporary Pleasing Hotel (to give it its full name) and enter into a chic Hepburn-inspired ’60s fantasy world, though it’s much too tasteful for the term “swinging bachelor pad”. Resembling 007’s secret love nest, the lobby is a series of wooden logs, kitsch lamps and plush pink chairs. A smart man and woman stand poised like mannequins halfway up the steps, who then immediately spring to life, inviting me to take a look around the building’s several floors and mezzanines. I glide up a short flight of stairs where I arrive in what appears to be a mini-movie theatre, where the final rain-sodden frames of Breakfast at Tiffany’s play out on a large plasma screen. For a moment I almost wish I didn’t already live in Florence, just so I could come and stay here. When I return to the reception, the blonde woman awaits with a brochure, which takes the format of a selection of large-scale postcards slipped inside a clear plastic envelope.

I take a few steps across the piazza and pull open the heavy wooden door of the Gallery Hotel Art. Inside, the staff is older but equally responsive to my polite inquiries, and once again I am encouraged to admire the lounge and restaurant. I am offered a drink at (The Fusion Bar) attached to the hotel, which from what I can gauge is a pretentious hangout for Florence’s superficial elite. The sign outside is enough to tell you that (The Fusion Bar) perhaps takes itself a little too seriously: the very name of the bar has to be contained within the safety of parentheses.

I perch on a chunky leather stool, order my usual Campari Soda, and begin to browse through the numerous design-related coffee-table volumes displayed by the bar. Several minutes later, the barman presents me with my drink. I don’t know what he did to it or why it took him so long, but it’s the best Campari Soda I’ve ever tasted. A long oblong dish of unidentifiable edibles arrives, at which I prod cautiously with an extra-long cocktail stick. As I mix my aperitivo and nibble on what I assume is sushi, I turn to admire the blown-up photograph of a woman in her underwear answering the telephone on her hands and knees, which covers the back wall.

continentale 2

While places of luxury are often over-priced, overwrought and over-rated, but they do know how to treat you well and the staff have a habit of making you feel like the most important person in the room. After I’ve finished my drink and am about to leave, the concierge asks me if I’ve yet had the opportunity to see the roof terrace of the Continentale. I respond with an enthusiastic no, and he leads me to a trio of elegant young women who stand chatting by the potted plants on the decked entrance to the bar. The dapper little man picks out one of the group. “Stefania,” he interrupts. “Can you please show James to the roof terrace?” I’m so instantly enamoured by Stefania I forget to ask how he knows my name. “Certamente,” Stefania says, and with a swish of her raven ponytail she escorts me back to the Continentale. “Follow me.”

We return past the candy-coloured seats and split-screen Audrey prints and enter a stark white cube. Lit from all six sides and possibly deriving from the set of 2001: A Space Odyssey, this futuristic box turns out to be the elevator. Stefania presses an invisible button and a few seconds later we step out at the top floor, where we walk onto the Contintentale’s roof garden, also known as the Sky Lounge. OK, so the name sounds like one of those tacky bars at Heathrow where holiday-makers drink Budweiser at eight in the morning, but I am willing to forgive that oversight. Not five minutes ago (The Fusion Bar) had seemed to be the epitome of cool, but this place is on another level, literally. I think it’s what they call “raising the bar”.

The square wooden terrace is lined with a crisp green hedge and a pale cushioned bench, upon which lounge a dozen or so people apparently well-accustomed to this lifestyle, as not even the presence of Stefania garners a reaction. A vast canopy keeps out the low sunlight, and the tables — which are made of steel framed boxes — each have a bulb gently glowing inside. The overall look is slightly Scandinavian, but something tells me none of it’s from IKEA. With a subtle wave of her slender hand, Stefania presents the stunning panorama, pointing out the Duomo and Palazzo Vecchio. “You can probably see my balcony from here,” I suggest, failing to impress her.

continentale sky lounge

This is such a magical setting, it comes as no surprise to learn that the Sky Lounge has witnessed over two dozen marriage proposals since its refurbishment in 2003. I am about to get down on one knee in front of Stefania when she turns and says, “I’ll leave you to enjoy yourself.” I thank her for the ride in the elevator and tell her I’ll be back on Thursday. It’s at this point I become aware of the sophisticated groove which seems to emanate from miniature speakers discreetly hidden within the foliage. I take in my surroundings and decide I’m not quite ready to leave just yet. Feeling slightly under-dressed but blending quite well in my faded t-shirt and retro adidas, I order another drink, which I sip in the company of skinny foreign models as the setting sun glistens on the Arno.

Twenty-four hours later I’m back at my usual bar for a routine aperitivo. My Campari has a slice of lemon instead of orange, floating between two rapidly melting lumps of ice which I poke at aimlessly with a straw. Needless to say this place does not enjoy the distinction of punctuation around its name. I’m sitting on metal garden furniture while munching on bits of mini pizza, the CD keeps skipping and there’s no sign of a roof terrace. My mind continues to drift back to the Continentale, where I can’t help but look forward to my next trip with Stefania in the white cube. But tonight I’m with friends and don’t feel at all out of place. Still somehow I’m not satisfied. Something’s missing. It’s too late — the bar has been raised.

Guernica

On April 26th, 1937, twenty-four Nazi German fighters bombed the small town of Guernica in the Basque region of Spain. It was one of the most brutal attacks of the Spanish civil war — the estimated number of victims range from 250 to 1,600, and hundreds more were injured. Appalled by this latest attack, Picasso was propelled into action. The artist had already received a commission from the Spanish Republican government to decorate the Spanish Pavilion at the Paris International Exposition. The shocking attack on Guernica now provided Picasso with a perfect subject matter, and on May 1st, just days after the bombing, his first sketches were made.

Picasso was a strong opponent to the struggles which gripped Spain, and as he worked on his mural commented: “The Spanish struggle is the fight of reaction against the people, against freedom. My whole life as an artist has been nothing more than a continuous struggle against reaction and the death of art. How could anybody think for a moment that I could be in agreement with reaction and death? In the panel on which I am working, which I shall call Guernica, and in all my recent works of art, I clearly express my abhorrence of the military caste which has sunk Spain in an ocean of pain and death.”

The panel in question measured 3.5 metres (11 ft) tall and 7.8 metres (23 ft) wide, dimensions which even exceeded those of Picasso’s studio: the canvas had to be positioned sloping backwards, and its highest points could only be reached by attaching a brush to a long stick while standing atop a ladder. His mistress at the time, Slav photographer Dora Maar, would form a photographic record of the entire creative process. In creating Guernica, Picasso chose to omit the cause of the massacre, representing only the death and carnage that remains. The scene is dominated by a horse and a bull — important symbols in Spanish culture — while human figures scream in pain and weep over the victims. The work has all the immediacy of a newspaper report, and in opting for monochromatic tones Picasso invokes the gritty realism of photojournalism.

Guernica was initially exhibited in July 1937 at the Spanish Pavilion of the Paris International Exposition, where it quickly gained the controversial attention Picasso had hoped to stir, especially when placed amongst other more staid works celebrating technological advancement. Although a personal response to a particular event, Guernica would soon be appreciated as an allegory of the horrors of war in general. The painting was the setting for peaceful anti-war vigils during the Vietnam war and is now often used as a symbol for the Basque nationalism movement.

Picasso refused to allow the work to return to Spain until the country became a republic, and Guernica spent most of the thirty years which followed the Paris exhibition touring Europe and the United States. The painting now resides at the Reina-Sofia Museum in Madrid, after returning to Europe in 1981, following the fall of Franco’s regime. (Picasso had insisted the painting shall not be return to Spain while the dictator was in power.) Guernica was reluctantly bequeathed back to Spain by The Museum of Modern Art, New York, where it had once formed the centrepiece of a Picasso retrospective which opened six weeks after the Nazi invasion of Poland. At this time, Picasso was continuing to work in exile in Paris, where German soldiers would occasionally be sent to search his studio. One day, an officer noticed a reproduction of Guernica lying on the table, and enquired to the artist casually, “Did you do this?” To which Picasso, not one to forget, quipped, “No, you did.”

NYC ’99

New York, June 30-July 5, 1999.

I first came to New York during the sweltering summer of 1999. I was twenty — old enough to travel without supervision, but still young and impressionable enough to be irreversibly affected. Though I’d travelled around Europe quite a lot, I’d never visited the United States, and growing up I was always slightly in awe of those who had. Shuffling off the 747 at JFK and into a yellow cab, I was acutely aware that I was realising a boyhood fantasy. It was, in short, a big deal.

While New York was already well on its way to becoming the city we know today, it felt like quite another place in ’99. When I arrived at the end of June the Knicks had just lost the NBA finals and Ricky Martin was on the cover of New York magazine. Incredibly, there’s not a single Starbucks in any of these photos. It was pre-9/11, and before the digital explosion that would shape global culture throughout the next decade. Many Americans had already begun to embrace the internet, but I didn’t have yet have an email address, or even a cell phone. Though it was only fifteen years ago Manhattan looked and felt a little different, a little rougher around the edges. It may have become de rigeur to lament the passing of the city that was, but I feel lucky to have got here when I did, as the town that had helped define the twentieth century took its final breaths.

I stayed at the On The Ave hotel on 77th Street. I enjoyed my first experiences of New York street life as I wandered down Broadway shortly after checking in, and spent the next 24 hours in a sort of haze, not quite able to comprehend that I too was here. There was a Fishs Eddy on the corner, a laundromat directly opposite and a café around the block called Xando (which later merged with the Così chain) where I ate breakfast each morning. Even though I’ve never lived on the Upper West Side, that neighbourhood maintains a warm familiarity for me, and I always feel especially safe and at home there.

Armed with my trusty Pentax K-1000 I explored Manhattan for the next six days almost exclusively on foot, documenting the city as extensively as possible and stopping what seemed like every few blocks to stock up on rolls of Kodak Gold 400. While New York was many things I’d imagined, there was much more that I couldn’t have prepared for, not least the positive vibe and the politeness of strangers. Interaction with New Yorkers was as frequent as it was delightful, and I still fondly recall witty exchanges that took place on the street, across restaurant tables, and while watching the July 4th fireworks from the shadow of the 59th Street Bridge.

I can still remember the song that played as the taxi sped back across the East River a couple of days later. Having had my hopes confirmed and appetite whetted I had no idea when or if I’d be back, a situation I found highly unsatisfactory. Much like the irresistible hooks of “Livin’ La Vida Loca”, New York persistently lingered with me in the months that followed. It became the setting for recurring dreams, and I began meticulously cataloging my most detailed memories of the trip, so paranoid was I that I would eventually forget them.

When I finally did return in 2006, the city had already changed, for better or worse. A year later I moved to New York for an internship. That was seven years ago and I’m still here (in New York — the internship ended). Today those giddy feelings I felt in 1999 seem very distant, almost quaint. It’s a bittersweet compromise, but the inevitable consequence of moving somewhere you’d dreamed of living is that the mystique soon evaporates, and that very special feeling — the urgent, almost frantic desire that once consumed you — is lost. Of course, it’s replaced with something arguably much better: the real and more rewarding experiences that come with actually living there. Occasionally those memories are jolted back to life by the slightest stimulus: the waft of pizza, an unmistakeable Motown intro, evening light on the side of a building. In those moments I’ll admit to standing there and squinting, trying desperately to cling to those first sensations, or even attempting to remember how I’d imagined New York all those years before I ever got here. But I can never hold on to them, because unfortunately — or perhaps fortunately — you only get to visit somewhere for the first time once.